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The Artlander Issue No. 39 View Online

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WORKS FOR SALE    |   ARTLAND 3D    |   GALLERIES    |   COLLECTORS    |   NEWS Read 'The Artlander' Issue No.39 now Featured Articles Art History A Short History Of Video Art, Part I: The Conceptual Pioneers from the 60s to the 80s. Artists Simone Leigh. The Sculptor making history at Art’s most prestigious World’s Fair. Exhibitions America 70s/80s. Hofner, Metzner, Meyerowitz, Newton at The Helmut Newton Foundation in Berlin. Featured Exhibition Jelena Bulajic: Solo Exhibition carlier | gebauer, Berlin Featured Artworks Eunju JEONG Untitled Sibylle Jazra Abrakadabra Julian Opie Cargo Shorts Björn Dawidsson OAS 63 Alex Katz Ada in Spain Linn Meyers Untitled

Bring Home New Spirits Patron

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  PRODUCTS ABOUT COCKTAIL LAB STORIES BUY Since Halloween falls on a Saturday this year, don’t miss out on the chance to go all out while staying in. We’ve got you covered with Patrón delivery so you can get ready to Halloween at home and in style. GET PATRÓN DELIVERY HANDCRAFTED CONCOCTIONS El Diablo The devil’s in the details. Surprise your guys and ghouls with the citrusy and floral flavors found in this classic. Espresso Martini This spirit-forward cocktail is a coffee and dessert mash-up that will liven up any after-dinner festivities. GET RECIPES

DENNY DIMIN GALLERY NEW YORK! LAST DAY FOR EXHIBITION OCTOBER 31ST

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  Justine Hill Touch Exhibition on View through October 31 Selected Press "Justine Hill" by Roberta Smith in the  New York Times “Justine Hill’s New Show of Sculptural Paintings Is a Timely Homage to the Importance of Touch—See Images Here,” by Caroline Goldstein in  Artnet News In case you missed it...  View the Conversation between Justine Hill and Dana Rodriguez “The first requirement in any unfocused situation is to locate the boundaries of the field, since the boundaries alone can provide orientation. Thus any pattern or grid is initially scanned in order to establish its relationship to the physical world. It demands location as a physical unit.”  - Amy Goldin, “Patterns, Grids and Painting” 1975   Justine Hill’s work explores the boundaries of abstract painting with her unique approach to form and mark making. The works in the exhibition are a continuation of what she has styled the “Cutouts” - paintings on shaped wood panels wrapped in canvas. Hill began to work w