Every Day's Journey

Yesterday,  NADA Miami Beach  premiered its 14th Edition at the  Deauville Beach Resort . NADA Miami Beach continues to showcase the best of emerging contemporary art, with exhibitors representing 36 cities from 17 different countries, 43 first time exhibitors, and 29 project spaces. Download selects here.   Photos Courtesy of Casey Kelbaugh & NADA Miami Beach  For further information, please contact  nada@culturalcounsel.com . The 14th edition of NADA Miami Beach,  December 1-4 , will take place at the  Deauville Beach Resort,  located at  6701 Collins Ave .  2016 Exhibitor List: 247365,  New York Adams and Ollman,  Portland Alden Projects™,  New York Mitchell Algus,  New York APALAZZOGALLERY,  Brescia Arredondo \ Arozarena,  Mexico City Nicelle Beauchene Gallery,  New York Bodega,  New York Brennan & Griffin,  New York Galeria BWA Warszawa,  Warsaw Shane Campbell Gallery,  Chicago CANADA,  New York C

Artist shortlist for the BMW Art Journey announced during Art Basel in Miami Beach Art Basel and BMW continue their joint initiative to recognize and support emerging artists worldwide with the announcement of the shortlist for the BMW Art Journey on December 1, during this year's Art Basel in Miami Beach. The shortlisted artists are: Max Hooper Schneider, Maggie Lee and Beto Shwafaty. Like a mobile studio, the BMW Art Journey can take artists almost anywhere in the world to develop new  ideas and envision new creative projects. Today, an international expert jury announced the following shortlist of three artists showing in Positions, the sector for emerging artists at Art Basel's Miami Beach show: Max Hooper Schneider at High Art, Paris Max Hooper Schneider (b. 1982) lives and works in Los Angeles. He studied biology and architectural landscape at Harvard University and his work is the result of what can be described as 'recalcitrant experimentation'. In

MIAMI BEACH | DECEMBER 1 | 2016 Art Basel announces Philipp Kaiser as the new curator of Art Basel's Public sector in Miami Beach Commencing with the 2017 edition, Philipp Kaiser, independent curator and critic, will curate the Public sector of Art Basel in Miami Beach, succeeding Nicholas Baume, Director and Chief Curator of Public Art Fund, New York, who curated the sector from 2013 to 2016. Situated in Miami Beach’s Collins Park, the Public sector each year presents site-specific sculptures and performances by both established and emerging artists from across the globe. Philipp Kaiser is an independent curator and critic, who has previously served as the Director of the Museum Ludwig, Cologne (2012-2014); Senior Curator and Curator at The Museum of Contemporary Art, Los Angeles (2007-2012); and Head of Contemporary Art at Kunstmuseum Basel / Museum für Gegenwartskunst (2002-2007). Swiss-born and Los Angeles-based, Kaiser has curated numerous noteworthy exhib

NADA Miami​ Beach:​ Special​ Projects​ and​ Programs The New Art Dealers Alliance (NADA) is pleased to announce special projects and programs at NADA Miami Beach. The 14th edition of NADA Miami Beach, December 1–4, will take place at the Deauville Beach Resort, located at 6701 Collins Ave. NADA Miami Beach continues to showcase the best of emerging contemporary art, with exhibitors representing 36 cities from 17 different countries, 43 first-time exhibitors, and 29 project spaces.   Related Videos: NADA x DAD As a Cultural Partner of NADA Miami Beach, Digital Art of Demand (DAD) will be presenting  Related Videos , a video program featuring artists represented by exhibiting galleries. Daily screenings, demos and VR presentations will be at Booth 1.08 at the main entrance to the fair. The video program can also be viewed online on DAD. Participating artists: Cara Benedetto (Night Gallery) / David Berezin / Christine Brache (FIERMAN) / Melissa Bro

I WAS GOING TO CALL IT YOUR NAME BUT YOU DIDN'T LET ME AWOL ERIZKU   Awol Erizku,  "Same Ol' Mistakes" - Rihanna , house and spray paint on OSB, 2016 Opening Reception:  Monday, November 28, 7PM - 9 PM On View:  November 28, 2016 - January 14, 2017 Nina Johnson  is pleased to announce  I Was Going to Call It  Your Name But You Didn ’ t Let Me ,  Awol Erizku’s first solo exhibition at the gallery. Presenting a group of 20 paintings alongside a conceptual sound collage of music and sonic ephemera, Erizku traffics in the space between sound and sight. The paintings bear the same subject matter: a disembodied hand, poised and manicured, holding a rose—not taking it or giving it, but only holding it. Appropriated from nail salon signage in Los Angeles, where the artist keeps a studio, the hand is both localized and ubiquitous, appearing across the country in interchangeable locales, signifying a variety of ethnicities and communiti